Screenplay changed all that. It laid out the principles of dramatic structure to establish the foundations of screenwriting. It was also the first book to use well-known and popular movies of the time to illustrate the craft of writing for the screen. And, as we all know, screenwriting is a craft that occasionally rises to the level of art.
Although the subject matter of this essay has been brewing over a long season, its present impetus stems from writing the commentary on Paul’s letter to the Philippians during Winter and Spring of 1994. As I worked through Paul’s text with great care, I experienced an ongoing encounter with the living God — Father, Son, and Holy Spirit — an encounter which happened in two ways. On the one hand, as I exegeted the text so as to articulate its meaning for the sake of others in the church, I was often myself so overcome by the power of the Word that I was brought to tears, to joy, to prayer, or to praise. On the other hand, I was also regularly experiencing the text of this letter in church settings, in such overwhelming ways, that I felt compelled to mention it in the final paragraph of the Author’s Preface: Click Here To Download The Book

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